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[art pop, indie-pop] (2018) GABI - Empty Me [FLAC,Tracks] [DarkAngie]

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Torrent File Content (16 files)

Description

(2018) GABI - Empty Me


Review:
On her second album as GABI, Gabrielle Herbst strains to linger on notes at
the very upper edge of her range. Her soprano frays when she pushes it to its limits, but rather than treat that
visceral wavering as a symptom of failure, she relishes it. While the New York singer’s debut, 2015’s Sympathy,
treated the voice as a single element in an electroacoustic toolkit, its follow-up, Empty Me, distinguishes Herbst’s
vocals for their fragility. Herbst is a skilled composer with classical training who chooses not to write vocal melodies
that would showcase her voice’s power. She’s not interested in making it bend to her will. Instead, she busies
herself in the space where the voice falters, where it’s in danger of breaking. She can showcase more vulnerability
there and Empty Me, a more intimate work than Sympathy, thrives where it’s vulnerable. Sympathy felt like a mannered
exercise in finding common ground between offbeat electronic and contemporary classical music. Empty Me swings more pop:
Its songs are shorter and more devotional, less focused on broad compositional experiments and more intrigued by the pop
song’s ability to excavate the delicate machinations of human affection. Any track on Empty Me sounds like it might
shatter at a moment’s notice, and that’s the point — so could love between two people. Slow, gentle arrangements
carry Herbst’s voice through the record. Acoustic instruments, like flutes played by Laura Cox and viola by Jacob
Falby, blur together with Steve Hauschildt’s synthesized contributions. Often, Herbst’s vocals serve as their own
accompaniment: On “Lets Not Exist,” she layers wordless, breathy syllables that work like woodwinds beneath the main
vocal track. “Boom Boom Kiki,” the album’s most alert and playful track, lets a vocal loop act as percussion.
These confident, functional uses of voice contrast with the voice Herbst uses to sing her lyrics, which often spins out
of orbit. She loses breath control on the words “couldn’t breathe” during “Sleep,” as if she needed to prove
her desperation in the moment. On “Until the End,” her voice spikes high on the words “love you,” then fades to
a whisper for much of the remaining lyrics, as though their importance paled in comparison, as though they were already
being forgotten.
Most pop songs are sung as if they were documents of a moment long past, memories reignited and
embellished for an audience. On Empty Me, Herbst sings as though the moments she’s capturing were slipping through her
fingers in the present, as if she had to snare them with her voice to prove they were ever real. She treats dreams of
weddings in a field of sunflowers (“Wild Sunflowers”) with the same breathlessness as instant infatuation with an
unfamiliar face (“Falling for a Stranger”). It can be hard to linger long inside these songs because they sound
ephemeral by design. They take the form of pop songs, but abandon the style’s blunt wallop—they don’t mean to
catch in the ear and demand repeat listens. Empty Me refuses to distill sensation into a lucid melody. It chases the
difficulty of grasping fleeting emotions as they pass through the body. Love seems from the outside almost to be a
formal impossibility. How can you be sure of your communion with another person when your deepest inner workings remain
a mystery? It’s unthinkable, and it happens all the time. With its uncertainty, its wild faith, and its holes worn
bare, Empty Me dares to imagine what a love song might sound like in the terrifying, honest moment.





Tracklist:
01 - Ahhh
02 - Sleep
03 -
Until the End
04 - Wild Sunflowers
05 - Whole with You
06 - Let's Not Exist
07 - Boom Boom Kiki
08 - Breath
09 - Naked
10 - ;;;;
11 - Stranded in Heathrow
12 - Falling for a Stranger
13 -
Holy


Summary:
Country: USA
Genre: art pop, indie-pop


Media Report:
Source                           : CD
Format
                          : FLAC
Format/Info                      : Free Lossless Audio Codec, 16-bit PCM
Bit
rate mode                    : Variable
Bit rate                         : ~ 530-860 Kbps
Channel(s)          
            : 2 channels
Sampling rate                    : 44.1 KHz
Bit depth                        : 16
bits

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